Reel World: Kivalina Documentary Shot on the 5d + 7d

In the book “Packing for Mars,” author Mary Roach describes a condition NASA refers to as “space euphoria.” The first two NASA astronauts to walk in space experienced not only an odd euporia but also a disinclination to get back inside the capsule. As we flew inside a plane sparsely peppered with passengers from Anchorage to Kotzebue, we stared out of the window and watched in awe. The sun was rising amidst some of the heaviest, billowing clouds we had ever seen. We were over the mountain range the natives refer to as Denali or, more commonly known, as Mount McKinley. The majestic apex peaked its head through the clouds and we suddenly realized we were experiencing our own sort of “space euphoria.” We got the sudden sense that this whole thing was bigger than either of us.

It’s an all to rare occurrence in life that we get to truly step outside our comfort zone. We are extremely grateful for this once in a lifetime opportunity.

Most of you have probably never heard of Kivalina, Alaska. In fact, until Mike Collins approached us about filming this documentary series, neither had we. After some initial research, it became quite apparent that this tiny island had it’s own story that had to be told. As one of the few remaining Inupiaq villages in the United States, Kivalina has struggled as a community to fight for what they deserve, a solid, safe place to call home.

Our time spent with the people of Kivalina is something we’ll never forget. It’s such a humbling experience to go into a new environment where despite not having all the luxuries we now consider necessities, the community defies the stereotype of being “needy” and, is in fact, one of the most giving we’ve ever encountered.

Below is the short we edited. The final product will be  a longer documentary and the first part of a series about poverty within the United States.

Thanks so much to our good friend and the series producer, Mike Collins, for giving us such a great opportunity. Also, thank you so much to our new friend and the producer, Lynette Wilson.

Some technical notes:

Shot on the Canon 5d and 7d with the Singh-Ray Vari-ND200 f/2.0, 85 f/1.2, 50 f/1.2, 24 f/1.4, 24-70 f/2.8, 70-200 f/2.8, and 16-35 f/2.8.While we shot mostly on tripods, we also used the Kessler Crane Pocket Dolly with the Oracle Controller and Elektra Drive motor and the Zacuto Z-Finder.

Jon Connor:

Cristina Valdivieso:

Reel World: A Raining Day by Daniel Peters

One thing I personally really enjoy about shooting with DSLR’s is taking everyday activities and adding a little “epic” to them. That’s why I am featuring this next film. It takes place on a day when it’s tough to get much shooting done. It’s raining outside and was probably not the greatest day to feel inspired to shoot as the weather could have easily squashed Daniel’s creative aspirations. Instead, he picked up his camera and documented his dogs and developed a nice little storyline of how they were depressed and sleepy and dreaming of when the weather was nice outside.

A Raining Day from Daniel Peters on Vimeo.

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Reel World: Director Kyle Day Shoots Feature Film Entirely on 7D

Quick Note: This trailer hasn’t been color corrected yet.

Director Kyle Day just directed an action/revenge feature that was shot entirely on the 7D.

“We did it for an insanely low amount of money so given our shooting schedule, our DP, Andrew Barrera,utilized the 7D in a very “run-and-gun” mentality with little to no lighting most of the time. The story is a classic female revenge plot that we wanted to be a homage to many of the 80s movies that myself and the writer grew up on.” – Kyle Day

Insanely low budget films that are super high quality mean one thing: Creativity is no longer constrained in filmmaking by the need for a huge amount of up front capital. In my book, that means people are now afforded the opportunity to take a lot more risk creatively without suffering the devastating financial repercussions. Anything that allows more creativity in filmmaking: I’m all for it.
For more information on this film go to